Aranda, J., Kuan Wood, B., Vidokle, A., (2017) Supercommunity, London: Verso
Welsch, W. (2005) Sport Viewed Aesthetically, and Even as Art? in The Aesthetics of Everyday Life, Columbia University Press
Boomgaard, J., Hurkmans, R., Westerveld, J. (Eds.) (2017) Compassion; A Paradox in Art and Society, Making Public Series, Amsterdam: Valiz
Tomasello, M. (2009) Why We Cooperate, Massachusetts Institute of Technology
Elias. N (2000 revised edition 1939 original) The Civilising Process, Oxford: Blackwell Publishing
Coser, L. (1956) The Functions of Social Conflict, New York: The Free Press
O’Neill, P. & Wilson, M. (Eds.) (2015) Curating Research, London: Open Editions
Neal, L. (2015), Playing For Time: Making Art as if the World Mattered, London: Oberon Books Ltd.
Mouffe, C. (2013), Agnostics; Thinking the world politically, London: Verso.
Scott, E.E. & Swenson, K. (Eds.) (2015), Critical Landscapes; Art, Space, Politics, California: University of California Press.
Sennett, R. (2013) Together; The rituals pleasures & politics of cooperation London: Penguin Books Ltd.
Dewey, J. (1934) Art as Experience (30th ed.) London: Penguin Books Ltd.
Tuan, Y.-F. (1977) Space and Place; The Perspective of Experience (8th ed.) Minneapolis: University of Minnesota Press.
Foucault, M. (2000) Aesthetics; Essential works of Foucault 1954-1984 (1st ed.) London: Penguin Books Ltd.
Burke, E. (2008) A Philosophical Enquiry into the Sublime and Beautiful (5th ed.) Oxen: Routledge Classics.
Bolt, B. (2016) Artistic Research as a Performative Paradigm, Parse Journal available: http://parsejournal.com/article/artistic-research-a-performative-paradigm/ [accessed 16 December 2016]
Arts Council of Ireland (2006), The Public and the Arts 2006, Dublin: Arts Council of Ireland.
O’Sullivan, S. (2001) The Aesthetics of Affect, Angelaki: Journal of the Theoretical Humanities, 6, General issue, December 2001, available: http://www.simonosullivan.net/articles.html [accessed 17/08/16]
Nagel, A. and Wood, C. (2010) The Plural Temporality of the work of art in Groom, A. (Ed.) Time London: Whitechapel Gallery and MIT Press
Didi-Huberman, G. (2000) Before the Image, Before Time in Groom, A. (Ed.) Time London: Whitechapel Gallery and MIT Press
Massey, D. (2003) Some Times of Space in Groom, A. (Ed.) Time London: Whitechapel Gallery and MIT Press
Wells, L. (2007) Curatorial strategy as critical intervention: the genesis of facing east in Rugg, J., Sedgwick, M. (eds.) Issues in curating contemporary art and performance, Bristol: Intellect
The National Archives (2016) Arts Council of England Self Evaluation Framework [online] available: http://webarchive.nationalarchives.gov.uk/20160204101926/http://www.artscouncil.org.uk/selfevaluation/guidance/
Queensland Government Web Centre (2016) Developing an evaluation framework [online] available: http://www.qld.gov.au/web/community-engagement/guides-factsheets/evaluating/evaluation-framework.html
Lind, M. (2007) The collaborative turn in Billing, J., Lind, M. and Nilsson, L. (eds.) Taking the matter into common hands, London: Black Dog Publishing
Finley, S. (2005) Arts based inquiry: performing revolutionary pedagogy in Denzin, N. K., Lincoln, Y. (Eds.) The sage handbook of qualitative research, London: Sage Publications
Agora Collective, Workhop: The artistic mission: dismantling professionalism in a for-profit economy? facilitated by Diego Agulló, http://agoracollective.org/affect/module-2/ (note: using the waiting room environment to control movement & conversation with regards to the professionalisation of visual art)
Agora Collective, Workhop: While We Work: A temporary state of affairs facilitated by Judith Lavagna, http://agoracollective.org/affect/module-1/ (note: exploring the role of artist-curator through month long collaboration)
Mark Fisher, Capitalist Realism; Is There No Alternative, Zero Books, 2009
Homi K. Bhabha, The Location of Culture, Routledge, London 1994 faculty.georgetown.edu/irvinem/theory/Bhabha-LocationofCulture-chaps.pdf (accessed 28/12/15)
Fredric Jameson, Postmodernism or The Cultural Logic of Late Capitalism, Verso, 1991 www.marxists.org/reference/subject/philosophy/works/us/jameson.htm (accessed 28/12/15)
In Free Fall: A Thought Experiment on Vertical Perspective, Hito Steryl, E-Flux Journal, www.e-flux.com/journal/in-free-fall-a-thought-experiment-on-vertical-perspective/ (accessed 28/12/15)
Céline Condorelli (Ed), Support Structures, Sternberg Press, 2009
Florian Matzner (Ed), Public Art, Hatje Cantz Verlag, Berlin, 2001
Towards a Non-Intentional Space, Hu Fang, E-Flux Journal, http://www.e-flux.com/journal/towards-a-non-intentional-space/ (accessed 22/9/15)
Paul O’Neill (Ed), Curating Subjects, Open Editions, London 2007
Paul O’Neill & Claire O’Doherty (Eds.), Locating the Producers; Durational Approaches to Public Art, Valiz, Amsterdam 2011
Lewis Hyde, The Gift; How The Creative Spirit Transforms the World, Canongate, Edinburgh 1979
Hal Foster, The Return of the Real, MIT Press, London,1996
Essay: Mining the Museum: Artists Look at Museums, Museums Look at Themselves, Fred Wilson, A Critical Reader, Doro Globus (Ed)
Poems: In The Waiting Room http://www.poemsinthewaitingroom.org/
Nicholas Serota, Experience or Interpretation; The Dilemma of Museums of Modern Art, Thames & Hudson, London, 1996
Maurice Merleau-Ponty, Phenomenology of Perception, Routledge, London, 1958
Jacques Rancéire, The Politics of Aesthetics, Continuum, London, 2004
Resource Pack- Arts & Health – http://www.artsandhealth.ie/wp-content/uploads/2011/08/Resource-Pack.pdf
Dorothea von Hantelmann, How to Do Things with Art, JRP| Ringer Kunstverlag AG, and Les presses du réel, 2010
Pierre Bordieu, Outline of a Sociological Theory of Art Perception, The Field of Cultural Production: Essays on Art and Literature, Colombia University Press, 1984
Suzanne Lacy, Cultural Pilgrimages and Metaphoric Journeys, Mapping the Terrain New Genre Public Art, Suzanne Lacy (Ed), Bay Press, Seattle, 1994
Hal Foster, After the White Cube, London Review of Books http://www.lrb.co.uk/v37/n06/hal-foster/after-the-white-cube (accessed 31/3/15)
Ann Gray, Research Practice for Cultural Studies: Ethnographic Methods and Lived Cultures, Sage Publications, London, 2003
Mihaly Csikszentmihalyi & Rick E. Robinson, The Art of Seeing: An Interpretation of the Aesthetic Encounter, Getty Center for Education in the Arts, Los Angeles, 1990
Gaston Bachelard, The Poetics of Space, Beacon Press, Massachusetts, 1994
Lucy Steeds (ed), Exhibition, Whitechapel Gallery, MIT Press, London, 2014
Actors, Agents and Attendants, Caring Culture: Art, Architecture and the Politics of Public Health, Sternberg Press, Berlin, 2011
Nicolas Bourriaud, Postproduction, Lukas & Sternberg, New York, 2002
Susan Sontag, The Aesthetics of Silence, http://opasquet.fr/dl/texts/Sontag_Aesthetics_of_Silence_2006.pdf (Accessed 11/2/15)
Michel Foucault, Of Other Spaces: Utopias and Heterotopias, Rethinking Architecture: A Reader in Cultural Theory, Neil Leech (Ed), NYC: Routledge, 1997, pg 330-336
Stephen Johnstone (Ed),The Everyday, Whitechapel, MIT Press, London
Marc Augé, Non-Places, Introduction to and Anthropology of Supermodernity, Verso, London 1992
Brian O’Doherty, Inside the White Cube, University of California Press, London
Hans Ulrich Obrist, A Brief History of Curating, Cornerhouse Publications, 70 Oxford St., Manchester, UK
Claire Bishop (Ed), Participation, Whitechapel, University of Michigan, 2006
Beatrice von Bismarck, Jorn Schafaff, Thomas Weski (eds.), Cultures of the Curatorial, Sternberg Press, 2012
Paul O’Neill, The Culture of Curating and the Curating of Culture(s), MIT Press, 2012
Martha Ward, What’s Important About the History of Modern Art Exhibitions, Thinking About Exhibitions, Bruce W. Ferguson, Reesa Greenberg, Sandy Nairne (eds.), Routledge, 2005
Jeni Walwin (ed), Searching for Arts New Publics, Intellect Ltd., U.K., 2010
How Near is Here? Readings
Saskia Sassen, ‘Does the City Have Speech?’, Urban Challenges Essay, Public Culture, Duke University Press, 2013, http://www.saskiasassen.com/PDFs/publications/does-the-city-have-speech.pdf
Josie Appleton, The End to Public Space, Architectural Review, 15 Jan. 2014, http://www.architectural-review.com/comment-and-opinion/the-end-of-public-space-one-law-to-ban-them-all/8657639.article
Geoffrey Crossick and Patrycja Kaszynska, Under Construction: Towards a framework for cultural value, Cultural Trends, Vol. 23, No. 2, 2014 pg120-131
Gilles Deleuze (Continuum Impacts), The Folds in the Soul, The Fold, New York: Athlone Press, 2006, pg 15-29
Jacques Ranciere, Politics, Identification and Subjectivization, October Journal, 1992, Vol. 61- The Identity in Question, pg 58-64
Jane Rendell, Critical Spatial Practices: Setting Out a Feminist Approach to some Modes and what Matters in Architecture’ in Feminist Practices: Interdisciplinary Approaches to Architecture, Brown Lori A. (ed), Ashgate, 2011, pg 17-56
Loic Wacquant, Territorial Stigmatization in the Age of Advanced Marginality, in Thesis Eleven, No. 91, SAGE Publications, 2007, pg 66-77
Andy Wightman, Three Score Men with Clubs and Staves: The struggle to protect common land, in The Poor Had No Lawyers: Who Owns Scotland (and how they got it), Birlinn Ltd. http://www.anywightman.com/?page_id=1082
Apt-art & Apartment
Claire Bishop, Zones of Indistinguishability: Collective Actions Group and Participatory Art, e-flux, http://www.e-flux.com/journal/zones-of-indistinguishability-collective-actions-group-and-participatory-art/
Ekaterina Degot, Russian Art in the Second Half of the Twentieth Century, http://cdclv.unlv.edu//archives/nc2/degot_art.html
Ekaterina Degot, Apt-Art and the Trekhprudny Squat as case studies of artists curating, http://www.afterall.org/online/artist-as-curator-symposium-apt-art-and-the-trekhprudny-squat-as-case-studies-of-artists-c#.U-CrafldW8A
Totart: Natalia Abalakova & Anatoly Zhigalov, AptArt Show http://conceptualism.letov.ru/TOTART/APTART.htm
E-Flux Journal: Moscow Symposium: Conceptualism Revisited, Boris Groys (Ed), Sternberg Press, 2012
Hilary Jack and Paul Harfleet, Apartment: A short account of an artist led space in a domestic environment, Every Curator’s Handbook, edited by Anne Klontz,Karen MacDonald and Yulia Usova in partnership Perfect Art Institution.